View of Cuba and Florida
An Off the Beaten Path Journey to the Pearl of the Antilles
Traveling off the beaten paths is an engaging way of going to places that are undiscovered, with a sense of exploration. It is finding stories of people as told by 'hidden gems', exploring them, and engaging with local Cubanos. This way you will discover the unconventional routes and stories that offer a more authentic or secluded experience.
Our Journey allows for learning about the vibrant richness of the arts in Cuba. As an art-focused program we promote the understanding of Cuban art, using an educational approach that integrates pre-travel informational emails (Cuba Info Bytes) about the arts in Cuba and venues to be visited.
The Journey is a unique opportunity to learn about architectural restoration, community arts, dance, music, and contemporary visual arts.
DATES
April 7-12, 2025
RESERVATION DEADLINE
January 7, 2025
COST OF INCLUSIONS PACKAGE
$1600 in double room
$1800 in single room
Our Journeys require moderate physical activity combined with short travel time in bus (max 1.5 hours). Activities may include city-walking tours (sometimes on uneven surfaces), stopping along the way, standing in museums for a few hours and some stairs (some restaurants will require the use of stairs).
Day 1 Welcome to Havana
The air is filled with the distant hum of Cuban music. You're about to step into a country where time seems to move at a different pace, where vintage cars roll through the streets, and where the echoes of history are everywhere. Your journey to Cuba begins in Havana, a city brimming with life and color. Once in Havana, we will be on our way to Casavana, our B&B, for check-in. You will have free time to relax before we gather for a demonstration on how to prepare a Mojito and dinner.
DAY 2 Arts in Old Havana 1
Our second day in Havana will start with breakfast (all breakfasts are included). In our first visit to Old Havana we will visit Carmen Montilla Gallery, the Ceramic Museum and Retazos Dance Company. The absolute vanguard, Retazos "Remnants" orients his choreography toward a singular scenic projection, represent a forceful chronicle of the Latin-American spirituality in an unpredictable reflexive dance. After lunch we will spend some time visiting public art sites in the Malecón area of Havana.
DAY 3 Arts in Old Havana 2
In our first visit to Old Havana we will start with a visit to the Center for the Development of Visual Arts dedicated to the promotion and research of contemporary Cuban visual arts: Fototeca (Cuban Photography Gallery) the iconographic memory of more than 150 years of Cuban photography; the Portocarrero Serigraphy Workshop, a unique space where visitors have the rare opportunity to observe the creation process of artworks firsthand, and the Cuban Association of Artisans Gallery.
DAY 4 Las Terrazas: The Story of an Eco Village
Our journey will continue outside of Havana visiting Las Terrazas, a rural eco village managing a sustainable development project in the heart of Sierra del Rosario, declared a Reserve of the Biosphere by UNESCO. Here we will visit Lester Campa’s gallery and studio and the Buenavista Coffee Plantation in Las Terrazas to learn about slave coffee production established by the French two centuries ago. Buenavista is the only plantation built on the crest of a mountain. Our lunch at the Buenavista Restaurant is included. In the evening we will visit Old Plaza in Old Havana and have dinner at Mojito - Mojito with live Cuban music. Dancing is more than welcomed¡¡
DAY 5 Community Arts, Dance and Music
Our day will start with a guided visit to the Studio and Workshop of Tomas Nuñez, Coral Falso. As an Art Laboratory, Corral Falso is committed to providing its gallery space and supporting the path of pedagogy and artistic practices from a collaborative aesthetic. Then we will have the options of visiting the Museum of Fine Arts Cuban Collection or Universal Collection. After lunch we will visit the studio gallery of Artist-Poet Eduardo Roca “Choco”. This evening we will end our journey with dinner at Italian restaurant Eclectico, including Cuban jazz music. Then visit the Cuban Art Factory. This is an artistic project driven by the need to rescue, support and promote the work of artists from all branches of art: theater, music, dance, theater, visual arts, photography, fashion, graphic design and architecture.
DAY 6 Hasta Luego Havana¡ - Departure
As your journey through Cuba comes to an end, you reflect on the rich culture, history, and warmth of the Cuban people.. You leave with memories of vibrant music, classic cars, and the unmistakable spirit of Cuba—a spirit that stays with you long after you've returned home.
REGISTRATION
Please Contact Us and provide your contact information. As soon as we hear from you, we will email a registration packet with required forms and instructions.
PAYMENT SCHEDULE
1ST PAYMENT
90 days before departure - 50% of the Inclusion Package
2ND PAYMENT
60 days before departure - remaining 50% of the Inclusions Package
PAYMENT OPTIONS
Check - payable to Marcos Carvajal
PAYMENT PLAN
This plan allows the payment of the cost of the Package of Inclusions in 4 monthly installments before the departure date, paying the total cost 45 days before the departure date. Contact Us to request the Monthly Payment Plan.
CANCELLATIONS AND REFUNDS
IMPORTANT DATES REFUND
Less Than 45 Days Prior to departure. 0 % of total
60 to 45 Days Prior To Departure Date. 50 % of total
90 to 60 Days Prior To Departure Date. 100% of total
Certification of License to Travel to Cuba
Our Journeys to Cuba are designed to comply with the ‘People-to-People’ general license category as specified by US Treasury Department regulations. These regulations are part of the US Cuban embargo. As part of your travel documents, we will provide a Certification of License to Travel to Cuba.
The U.S. government has the right to request receipts and records from your Journey to Cuba for up to 5 years after your return. It is your responsibility to safe all documentation related to your Journey to Cuba.
Passport
• A passport is required for this trip. It must be valid for at least 6 months after your return date.
• Your passport must have 2 blank passport page(s) for entry/exit visas in this country.
Visa
• A travel tourist visa is required.
• The cost of this visa is not included in the cost of your trip.
• You are responsible for securing your Cuban tourist visa. The visa is easily purchased at the departure gate of your flight to Cuba.
• The cost varies by airline (up to $100 per person).
• A Cuban-born participant must contact us before registration
Pedro was born in Ponce, Puerto Rico. His 50 years in the field of education represent an accumulation of professional experiences as elementary school teacher, corporate training and development specialist, community educator and consultant, professor and administrator in higher education institutions. After 25 years in Cambridge College, in 2015, Pedro became Professor Emeritus.
A graduate from Inter American University of Puerto Rico, Harvard and Boston universities, Pedro specialized in instructional design, learning environments, social education and educational administration. Pedro was also the founder of the Cambridge College Puerto Rico Center, implementing graduate programs in education, management, and counseling psychology.
In 2000 Pedro founded PuertoRicoCubArtEdu to provide travel experiences for educational and art organizations interested in the cultures of Cuba and Puerto Rico, framed by the understanding, respect and appreciation of the historical contributions made by their people in the fields of arts, community education and general wellness.
Marcos Carvajal is a visual artist-educator, a visionary and Journey Leader, and founder of PuertoRicoCubArtEdu.
Born in Santos Suarez, Havana, Cuba, Marcos started to study art with his father when he was nine. His formal studies continued at the University of Havana Medical School. He continued studies at the Art Institute of Pittsburgh, the School of the Museum of Fine Arts / Tufts in Boston, and Cambridge College. He taught art courses at Montserrat School of Art in Beverly, Massachusetts, Jájome School of Art in Puerto Rico, the University of Puerto Rico, and the School of Fine Arts / Tufts in Boston.
As a visiting faculty member at the SMFA, Marcos facilitated courses such as "Painting in the Rain Forest of Puerto Rico" and "Making Art in Cuba: An Interdisciplinary Exchange" for the International Department. Presently, Marcos works from his studio in Sarasota, Florida.
It is truly wonderful when so many ask us how was your trip to Cuba? We loved it - the Entel "family" enjoyed not only being together, but sharing with the rest of the group our 6 days with you two. It was a Journey we will always remember!
Syd and Irwin Entel
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My trip to Cuba with CubArtEdu was a wonderful experience that I will treasure. Each day brought a variety of cultural and artistic offerings; it seemed as though artistic jewels were around each corner. I am looking forward to my next visit to Cuba: its people, food, art, and everyday life! Nancy Kramer
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Thank you for being so caring in all you did for us! It was a most "eye opening" experience. The people were warm and wonderful! Its Art was fantastic! It was all so special! Pat
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I want to thank you again for the fantastic Cuba trip that I was able to participate in last month. Throughout my life I have traveled a lot and all over the world, but the visit to Cuba facilitated by you will forever be on my Top 10 list. Not only because of the heart and soul you both clearly put into this trip, but also because of the beauty of the country and the Cuban people. I think I did fall in love with both of them - the country and the people! Markus Dobler
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We left feeling very connected to Cuba. For the most part we (U.S. citizens) were very well received despite of the hardship. The Cuban people are proud, positive and beautiful. Steward & Francene Tabak
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Having experienced the happy, friendly Cuban people I feel so appreciative being able to say I love Cubans and adore their music and feel sorry that it has taken so long for this new beginning between our countries.
Susan Von Gries
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I understand more clearly how Cuban people live and what are their challenges and see that the artistic drive for creating is universal.
Judy Levine
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Astounded at quality of Cuban art. Love the Cuban people.
Jack Weinberg
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The program was an exceptionally well-integrated one. It combined performances, studio exchanges, Cuban culture and history in perfect balance. Mary Smith
Havana’s location along a magnificent deep-sea bay with a sheltered harbor made the city a prime location for economic development from Spanish colonial times in the early 16th century. Cuba is endowed with a number of such harbors, but Havana’s on the north coast was prized above the others by the early Spanish colonizers. With land on both sides of the harbor, the port was easily defended. The early colonists erected a number of fortifications in the area that withstood most invaders. In colonial times Havana was the first landfall for Spanish fleets coming to the New World, and it became a staging area, first, for the conquest of the Americas by Spanish conquistadores and, later, for the economic and political domination of the hemisphere by Spain. The city early became a cosmopolitan centre with sprawling fortifications, cobblestone plazas, and buildings with ornamental facades and ornate iron balconies. Today’s Havana mixes these structures with a variety of conventional modern buildings.
Great Houses of Havana is a beautifully illustrated presentation of the greatest residences of Havana, celebrating one hundred years of creativity, design, and style that made the city "the Paris of the Caribbean," with full historical accounts of architects, designers, and famous residents. Great Houses of Havana celebrates one hundred years of creativity, design, and style that made the city "the Paris of the Caribbean."
For four hundred years, Havana was the center of Spanish trade in the western hemisphere. With the expansion of the sugar industry, independence from Spain, and North American investment, Havana became a city of great wealth, great style, and great houses in a vocabulary that was a unique amalgam of European, American, and Caribbean elements. Great Houses of Havana traces the evolution of the Cuban home from the classic, Spanish colonial courtyard house to the “Tropical Modernist” villas of the 1950s - houses reflecting international architecture trends while remaining true to the Cuban tradition. Cuba’s social history is woven throughout the book.
Las Terrazas, an Ecovillage and Intentional Community, covers 5000 hectares in the Sierra del Rosario Biosphere Reserve. They started with 100 people living there in 1971, and now there are 1400 people (about 273 families), a vegetarian restaurant, a hotel, a hospital, a university, schools and jobs for everyone there. Membership is “frozen” and very few people leave. The housing is government-owned and can be passed down in the family but not sold.
1793-1804 saw the immigration of French landowners who started coffee plantations in the area of Artemisa. They left archeological treasures, including 6 coffee plantations which have been “rescued”. (We visit the restored one next. It will be my next Cuban Agriculture post.) Up until 1968, the land was eroded. The slopes were treeless because they had been logged for export, for charcoal production and for ship-building. In 1968 a special comprehensive plan was made and reforestation started all across Cuba. In the Biosphere Park 1500 km of terraces were built to prevent erosion, enable transportation through the mountains, and grow a good forest. The reforestation project took 20 years.
The absolute vanguard, Retazos "Remnants" orients his choreography toward a singular scenic projection, represent a forceful chronicle of the Latin-American spirituality in an unpredictable reflexive dance.